课程简介
宋元时期是中国山水画发展历史的巅峰，高峰林立，宗师辈出，影响深远。本课程通过北宋范宽的《溪山行旅图》、南宋夏圭的《溪山清远图》、元初黄公望的《富春山居图》、元末王蒙的《青卞隐居图》等四幅经典山水画作的解读和临习，并由此延伸为对应自然、体察万物的山水画人文价值体系的建构，串联起传承与拓展之间的精神本质与核心思想。所谓“以元人之笔墨，运宋人之丘壑”，正是我们借鉴前人、承古开今的活水源头。追本溯源、固本培元的前提是“外师造化，中得心源”，写生为因，创作为果，学习山水画应在体验自然物象中转化传统笔墨思维，拓宽学术视野，激发创造才情。外物炫心，触景生情，境由心生，“观物”与“体象”不相为碍，与心之通内外、观世界，皆能主宾相照，物我兼成。观天地而立本心，“天地与我并生，万物与我为一”的心象迹化，取决于画家面对自然的观物方式，自然观决定了方法论，这也是山水画视通万里、与心徘徊的主佐合一的生命力所在，也是艺术创造过程中笔墨境界、人文境界、生命境界的不断升华。
课程大纲
导读（Prelude）
1.1中国画学概说 An Introduction to the Studies of Chinese Paintings
绪论（Introduction）
2.1绪论上 Introduction (Part I)
2.2绪论下 Introduction (Part II)
山川胸襟—范宽《溪山行旅图》的传承与拓展Mind of Mountains and Rivers: The Continued Tradition and Expansion of Fan Kuan’s Travelers by Streams and Mountains
3.1经典解读 Analyzing Classical Works
3.2技艺传习 Technique and Practice
3.3自然观照 Observing Nature
3.4写生体验 Drawing From Life
笔尽意远—夏圭《溪山清远图》的传承与拓展Profundity within the Brushstroke: The Continued Tradition and Expansion of Xia Gui’s Pure and Remote View of Streams and Mountains
4.1经典解读 Analyzing Classical Works
4.2技艺传习 Technique and Practice
4.3随物宛转 Following the True Image of the Object
4.4写生体验 Drawing From Life
游目骋怀—黄公望《富春山居图》的传承与拓展Traveling to Open up the Mind: The Continued Tradition and Expansion of Huang Gongwang’s Dwelling in the Fuchun Mountains
5.1经典解读 Analyzing Classical Works
5.2技艺传习 Technique and Practice
5.3丘壑内营 Internalizing the Landscape
5.4写生体验 Drawing From Life
落墨写心—王蒙《青卞隐居图》的传承与拓展Painting Directly From the Mind: The Continued Tradition and Expansion of Wang Meng’s Seclusion in the Qingbian Mountains
6.1经典解读 Analyzing Classical Works
6.2技艺传习 Technique and Practice
6.3意象迹化 Externalization of the Image
6.4写生体验 Drawing From Life
1.1中国画学概说 An Introduction to the Studies of Chinese Paintings
绪论（Introduction）
2.1绪论上 Introduction (Part I)
2.2绪论下 Introduction (Part II)
山川胸襟—范宽《溪山行旅图》的传承与拓展Mind of Mountains and Rivers: The Continued Tradition and Expansion of Fan Kuan’s Travelers by Streams and Mountains
3.1经典解读 Analyzing Classical Works
3.2技艺传习 Technique and Practice
3.3自然观照 Observing Nature
3.4写生体验 Drawing From Life
笔尽意远—夏圭《溪山清远图》的传承与拓展Profundity within the Brushstroke: The Continued Tradition and Expansion of Xia Gui’s Pure and Remote View of Streams and Mountains
4.1经典解读 Analyzing Classical Works
4.2技艺传习 Technique and Practice
4.3随物宛转 Following the True Image of the Object
4.4写生体验 Drawing From Life
游目骋怀—黄公望《富春山居图》的传承与拓展Traveling to Open up the Mind: The Continued Tradition and Expansion of Huang Gongwang’s Dwelling in the Fuchun Mountains
5.1经典解读 Analyzing Classical Works
5.2技艺传习 Technique and Practice
5.3丘壑内营 Internalizing the Landscape
5.4写生体验 Drawing From Life
落墨写心—王蒙《青卞隐居图》的传承与拓展Painting Directly From the Mind: The Continued Tradition and Expansion of Wang Meng’s Seclusion in the Qingbian Mountains
6.1经典解读 Analyzing Classical Works
6.2技艺传习 Technique and Practice
6.3意象迹化 Externalization of the Image
6.4写生体验 Drawing From Life
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